England is Mine
Performance Intervention/video
Trafalgar Square, London – 2010
Trafalgar Square, London – 2010
Feral
Feral (2012) was commissioned by the Vitrine Gallery, London, England. This film touches upon issues of power, surveillance and the demonization of ‘youth’ since the London Riots. Five ‘feral youth’ ride home-made hobby-horses on the deserted streets of London while the city sleeps.
LUPA
2011-2013
LUPA (Lock Up Performance Art) was a DIY artist run space that operated out of a garage on the council estate where I live in East London. It exhibited over 150 performances by national and international artists before finally closing its doors in June 2013. LUPA was co-curated by Rachel Dowle, Kate Mahony, Jordan McKenzie and Aaron Williamson.
LUPA (Lock Up Performance Art) was a DIY artist run space that operated out of a garage on the council estate where I live in East London. It exhibited over 150 performances by national and international artists before finally closing its doors in June 2013. LUPA was co-curated by Rachel Dowle, Kate Mahony, Jordan McKenzie and Aaron Williamson.
Minimal Interventions
Minimal Interventions is an ongoing series of works that temporarily highjack classic works of Minimal art and aesthetics from the sixties and seventies. For a short period of time I co-author the works, inhabiting the historical canon and subverting it for my own uses. These works question ideas surrounding originality, authorship and ownership.
Serra Frottage
Performance intervention/video.
Liverpool St Station, London 2010
Serra Frottage
Performance intervention/video.
Liverpool St Station, London 2010
Monsieur Poo-Pourri Points at Things
Bethnal Green Rd, London 2010
From a solo exhibition of works presented at Coleman Projects, London 2011
From a solo exhibition of works presented at Coleman Projects, London 2011
Monsieur Poo-Pourri Takes a Tour of his Estate
Bethnal Green, London, 2010
Please Stand Back
London, 2014
Mimicking the iconic minimal and formal investigations into movement performed in the 1960’s and 70’s, Please Stand Back takes these actions onto the street. The iconic computerised voice of the reversing vehicle creates a score for these absurd urban gestures.
Mimicking the iconic minimal and formal investigations into movement performed in the 1960’s and 70’s, Please Stand Back takes these actions onto the street. The iconic computerised voice of the reversing vehicle creates a score for these absurd urban gestures.