Public Sculpture, 2021

Food delivery bags filled with studio detritus, floor paint, concrete, acrylic paste, sand, gloss paint, oil paint.
46x46x50cm
Image courtesy Sean Pines

The After Party, 2021

Plastic buckets, studio detritus, European passports, wingnuts, steel washers, wooden trolley
65x29x36cm
Image courtesy Sean Pines

Blame Game, 2021

Cardboard, gloss paint, statuettes, plastic, silver, erased postcard
52x25x54cm
Image courtesy Sean Pines

Barebacker, 2021

Glitter, polystyrene, glue, varnish, wood, house paint
62x20x23cm
Image courtesy Sean Pines

England's Dreaming, 2021

Plastic, string, floor insulation, concrete, acrylic paste, sand, gloss paint, oil paint, memory foam
50x30x21cm
Image courtesy Sean Pines

Tiara (Zero Hours Contract), 2021

Polystyrene, glitter, bicycle helmet parts, sand, acrylic paste, oil paint, concrete
40x19x17cm
Image courtesy Sean Pines

Unfinished Traditional Landscape Painting, 2021

Wooden stretchers, steel chain, padlock, oil paint, oil stick, broken easel
107x24x15cm
Image courtesy Sean Pines

Staycation, 2021

Assorted bottles found on the street, sand, metal
Dimensions variable
Image courtesy Sean Pines

Border Patrol 2014-2015

The back door space in my block of flats is seen as a tense crossing space by my neighbours where the inside meets the outside. Gangs, individuals, addicts and dealers use the corridors and stairwell and in order to gain access use a multitude of found objects as ‘door stoppers’. Over two years I retrieved the objects wedged in the door, putting myself in the uneasy position of becoming a guardian of the border.

Woolworth Death Mask, 2009

Plastic mask, assorted sweets

Death masks made with the very last purchase of pick’n mix sweets from Woolworth’s final day of trading on Bethnal Green Rd, London.

Out of gallery